MAINSTAGE & IN CAMERA: Transience and homelessness in the world première of a new 32-part setting of Gavin Bryars' classic Jesus' Blood Never Failed Me Yet and a remake of a legendary canon from the Eton Choirbook. 2021 TOUR


MAINSTAGE: Buxtehude’s monumental meditation on suffering and the human body set with contemporary Indigenous dance, and a major new Australian work from Chris Williams. The Song Company and choreographer-dancer Thomas E.S. Kelly – from contemporary Indigenous dance company Karul Projects – reunite in a pageant of light and movement to Membra Jesu Nostri by Dieterich Buxtehude and I pray the sea by Australian composer Chris Williams, commissioned with funding from the Silo Collective and setting words from No Friend But the Mountains by Behrouz Boochani. Williams’s flotilla of seven short fragments and one extended final movement is interspersed with Buxtehude’s intimate 17th-century cycle of seven cantatas on the physical and spiritual aspects of the Crucifixion. Co-curated/directed by Robert Macfarlane, with choreography by Thomas E.S. Kelly, against the background of an ongoing refugee crisis at home and abroad.


MAINSTAGE: Songs from the heart created by Indigenous composers Elizabeth Sheppard and Sonya Holowell for The Song Company In 2021 our season culminates in October/November with a special MAINSTAGE project for seven singers working together with Elizabeth Sheppard and Sonya Holowell, Indigenous composers who are both also singers. The program is directly inspired by the principles underlying the Uluru Statement from the Heart.